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Here’s an early look at some of next month’s new royalty books. As always, publication dates are subject to change.
Catherine of Aragon by Patrick Williams. The tragic story of Henry VIII’s first unfortunate wife.
The Boleyns by David Loades. The rise and fall of Anne Boleyn and her family.
Queen Elizabeth II: A Diamond Jubilee Souvenir Album by Jane Roberts. A biography in photographs with 300 full-color illustrations.
The Prince’s Speech: On the Future of Food by HRH the Prince of Wales. A 2011 speech by Prince Charles about the growing global food shortage.
Conquest: The English Kingdom of France, 1417-1450 by Juliet Barker. Henry V launched a campaign that would put the crown of France on an English head. Only a peasant girl, Joan of Arc, could halt the English advance.
The Crimes of Elagabalus by Martijn Icks. The life and legacy of Rome’s decadent boy emperor.
King Peggy by Peggielene Bartels and Eleanor Herman. Written by an American secretary who suddenly found herself king of a village in Ghana.
The full list will be published on the Royalty.nu Books page on February 1.
If I could only read one of the books listed above, I think I might pick The Crimes of Elagabalus because I know almost nothing about him, and it looks interesting. Which book would you choose?
Note: This article is from the Guardian.
It is a centrepiece of Britain’s social calendar, a place where pageantry, fashion and thoroughbred animals have come to be part of the mix since Queen Anne first saw its potential as a racecourse 300 years ago.
Yet after organisers at Royal Ascot decided that sartorial standards have been on the slide in recent times, not even her descendents are being spared a clampdown that could end the wearing of fascinators in the royal enclosure.
The item of headgear, often favoured by the Duchess of Cambridge, is under threat as part of a move to tighten and clarify the dress code at the annual summer event, which also happens to be the Queen’s favourite race meet.
Nick Smith, a spokesman for Ascot, said: “It is stretching a point to say standards have collapsed but there is no doubt that our customers would like to get back to a situation where it is universally acknowledged that this is a formal occasion and not an occasion where you might dress as you would at a nightclub.
“It is probably fair to say that the dress code hasn’t necessarily been enforced quite as rigorously as we might have liked.”
Along with the royals, thousands of visitors who flock to the less formal grandstand enclosure during the week-long meet in June will also be obliged to adhere to strict new guidelines. The less formal Silver Ring is not expected to be affected by the changes.
A new dress code states: “Hats should be worn; a headpiece which has a base of four inches (10cm) or more in diameter is acceptable as an alternative to a hat.”
Women will also be expected to wear skirts or dresses of “modest length” that fall just above the knee or longer.
This clarifies previous guidance which stated that miniskirts were “considered unsuitable”.
For men, a waistcoat and tie are now compulsory in this area of the course and cravats will not be allowed. Black shoes must also be worn with morning dress.
Although rules on the wearing of fascinators in the royal enclosure will be tightened, a hat or fascinator will be compulsory for women in the grandstand, which is open to the public and subject to less stringent rules.
The move comes amid criticism of sartorial standards, often led by some press coverage bemoaning the supposed display of too much flesh at race meets, and marks a significant change to previous years, when female race-goers were advised that “many ladies wear hats”.
Strapless or sheer-strap tops and dresses will be banned. For men, a suit and tie will now be imperative.
Charles Barnett, Ascot’s chief executive, said the overarching intention was to be “as helpful as possible” to visitors and to assist racegoers in understanding what is “cherished” about the dress code at Royal Ascot. “It isn’t a question of elitism and not being modern in a world where there is less and less requirement to dress smartly – far from it,” he said.
“We want to see modern and stylish dress at Royal Ascot, just within the parameters of formal wear, and the feedback we have received from our customers overwhelmingly supports that.”
guardian.co.uk © Guardian News & Media Limited 2010
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For more royal news, visit the World of Royalty at Royalty.nu!
Note: This article is from the Guardian.
A hundred years since the ship went down, the 1,500 victims of the Titanic disaster will receive an unlikely memorial – the first self-described classical work by Robin Gibb of the Bee Gees.
Composed with his son RJ, Titanic Requiem will be performed in London on 10 April by the Royal Philharmonic Orchestra – the anniversary of the doomed ship’s departure from Southampton. The event will boast a hologram show depicting the sea, the ship, and – naturally – the iceberg.
Last November, Gibb revealed that he had liver cancer, though he is now in remission. “He’s staying the course with his treatment and being able to work again,” his son told the Guardian. “He seems to be a bit more animated and that’s the best thing – to keep working and to keep focused on the future. If possible he’ll be singing one of the songs on-stage at the premiere.”
Other performers will include tenor Mario Frangolis and 14-year-old Isabel Suckling, who sings Christmas Day, which was streamed on Gibb’s website in December.
The performance will be one of many Titanic anniversary memorials. Julian Fellowes’s four-part TV series starring David Calder and Steven Waddington will debut simultaneously in 50 countries on April 12. Liverpool will witness a giant street puppet show called Sea Odyssey, and the site of the Belfast shipyard is being redeveloped as the Titanic Quarter, which will include a permanent exhibition.
The Gibbs say that their requiem is in the classical music tradition. “It’s not a rock opera – it’s done very traditionally, like Mozart would compose it in the 1700s,” said Robin.
The idea of non-classical composers writing a requiem is not entirely unprecedented – Andrew Lloyd Webber wrote one which premiered in 1985 and spawned the hit Pie Jesu.
“We respect Andrew very much, he’s a very good friend, but this requiem is more in the baroque style, the classical style, the Romantic era style,” said RJ. He added that he and his father have also composed a memorial to the first world war.
guardian.co.uk © Guardian News & Media Limited 2010
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