We’re approaching the 12th anniversary of the death of Diana, Princess of Wales, and while we’ve been inundated with books about her life and death, surprisingly few novels have been written about her as yet.

I’m aware of only eight English-language novels about Diana, and all but one of them is about her death or afterlife. The one exception, Di and I by Peter Lefcourt is, unsurprisingly, the only one published before Diana’s death. As I recall, it’s a tongue-in-cheek story in which the author imagines Diana running away from royal life to live with him. She gets a nose job (ugh, no, Diana!) and goes to work as a waitress.

I tried to read this book shortly after Diana’s death, and found it silly and depressing given what had really happened to Diana, so I didn’t finish reading it. If you’ve read the book, I’d love to hear your opinion of it.

The mysterious circumstances surrounding Diana’s death spawned a mini-genre of books aimed at readers who don’t want to believe she died in a car accident. (She did.) To the best of my knowledge, the first novels of this type, both published in 1999, were Aaron McCallum Becker’s Whose Death in the Tunnel?, which suggests Diana faked her own death, and A Life to Di For by Kay Kellam, which has a similar premise and a time-travel twist.

After it sank in that Diana really was dead, writers started producing books about her “murder.” The Accident Man (2008) by Tom Cain is a thriller about a freelance mercenary who organizes the car crash that kills Diana. 12:23 – Paris, 31st August 1997 by Eoin McNamee, published in 2007, is another thriller about “sinister forces” behind Diana’s death.

Danuta de Rhodes tried a different tack with The Little White Car (2005), a wacky comedy about the driver of the mysterious white Fiat Uno involved in the crash. I don’t think this is the best topic for wacky comedy, but that’s just me.

An interesting recent development in the Diana death genre: novels about Diana in the afterlife. His Lovely Wife (2006) by Elizabeth Dewberry is about a woman who hears the late princess’s voice in her head and begins to understand the parallels between their lives. I’d like to read this one.

Diana: The Ghost Biography by Emma Tennant and Hilary Bailey, published in April of this year, is a comic suspense novel about a mysterious new royal employee who seems to be the second coming of Princess Diana. This book did not attract a lot of attention, perhaps because the concept is rather murky, or because Princess Diana’s death still fails to strike readers as knee-slappingly funny.

One of the most intriguing Diana novels is Lady D by French writers Isabelle Rivére and Caroline Babert. Published in 2007, it imagines what Diana’s life might have been like if she’d walked away from that accident in Paris uninjured. The authors seem to know quite a bit about Princess Diana, and it looks like a book that Diana fans would enjoy. I hope it’s published in English someday.

Why so many novels about Diana’s death and so few about her life? Is it appropriate or inappropriate to publish books of this sort? Is it disrespectful to her sons, or to Diana herself? What do you think?

2011 UPDATE: Here’s a new post about more recent novels about Diana.

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Sweden’s Princess Madeleine just got engaged to her long-time boyfriend, and that’s as good an excuse as any for me to blog about royal romance novels. Lately I’m finding zillions of them during my searches for books about royalty. A few recent titles:

Innocent Mistress, Royal Wife by Robyn Donald. Prince Rafiq de Couteveille believes Alexa Considine to be a money-hungry mistress. But to Rafiq’s horror and shame, Lexie is innocent! Out of duty and honor, he must propose!

Royal Seducer by Michelle Selmer. Royal must marry royal, which left Prince Christian’s options few and far between. Until a new princess was discovered: beautiful, innocent and unaware she’d been offered up as a pawn. He just had to keep love out of the equation… or lose his kingdom forever.

Royal Protocol by Dana Marton. Prince Benedek Kerkay’s long-held fantasy became reality when opera singer Rayne Williams stepped off the plane and into his arms. He would sacrifice his life and his throne if it meant keeping Rayne safe.

The Desert King’s Bejewelled Bride by Sabrina Phillips. Kaliq Al-Zahir A’zam cannot believe the audacity of model Tamara Weston, displaying her body for all to see. He sees to it that she returns to his kingdom to model the royal jewels she should have worn as his bride, and deliver to him the wedding night he was previously denied.

The Illegitimate King by Olivia Gates. Once, she’d scorned him. And illegitimate secret prince Ferruccio Selvaggio had sworn he would make her pay. Now, Princess Clarissa D’Agostino was in his power. It was time to teach her a lesson.

Captive of the Desert King by Donna Young. As the King of Taer, Jarek Al Asadi was used to having total control, but then he met Sarah Kwong. He became her only hope for survival in the unforgiving desert. And she was the one temptation he couldn’t resist.

OK, that’s enough. I didn’t expect this to be quite so depressing and weird. Judging by the publishers’ descriptions, every one of these stories is about the “hero,” not the woman he picks to be his victim — er, I mean, his wife. “The Desert King’s Bejewelled Bride” in particular reminds me of things that have allegedly happened to real women in recent times. Not romantic.

The heroes of “Royal Protocol” and “Captive of the Desert King” perhaps aren’t so bad. But where are the royal romances about arrogant princesses who protect handsome visitors and/or treat them as pawns and/or teach them lessons? Where are the stories about control-freak queens holding “beautiful, innocent” men captive?

Admittedly, I don’t want to read that. But I don’t want to read about sexist, abusive princes, either. Sorry, publishers, but I think I’ll stick to the real world of royalty.

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Britain’s Prince Harry is obviously a big music fan. When he isn’t flying military helicopters, riding motorcycles, or stumbling out of nightclubs wearing pink nail polish, the prince can often be found attending concerts and/or flirting with pretty female singers.

So let’s take a look at some of the musicians Harry has favored with his royal attention recently. (I know he probably has an iPod, not a jukebox, but I’m feeling old school today, so please humor me.)

BASEMENT JAXX: Wikipedia informs me that this is a house music duo (electronic dance music). Supposedly Prince Harry dressed up in a gorilla suit to join them onstage in July. Sample Basement Jaxx video: U Don’t Know Me (warning: it depicts the Queen engaging in some, um, rather scandalous behavior).

NATASHA BEDINGFIELD: It’s being claimed that Prince Harry and the British pop singer have been secretly working on plans for a huge charity concert. Sample Natasha Bedingfield video: Pocketful of Sunshine (Simlish version — that’s the language spoken by characters in “The Sims” video games).

THE KILLERS: Harry reportedly hung out backstage with the pop-rock group in June. Sample Killers video: Spaceman (very New Wave).

NATALIE IMBRUGLIA: There have been lots of rumors this year that Harry has been dating the Australian singer-actress. Sample Natalie Imbruglia video: Wild About It (this video is allegedly based on the “kind of house party that Harry” enjoys).

DIZZEE RASCAL: Harry’s behavior during a backstage visit prompted this rapper to say, “If you weren’t royalty I’d have punched you in the face by now.” Sample Dizzee Rascal video: Bonkers (it makes me want to punch myself in the face).

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I Am Shocked, Shocked!
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And that’s not all that happened in the world of royalty this week. To find out what else you missed, visit the Royalty.nu News page!

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